VIN
Some albums just grab you by the heart, this is one such album. Excellent from start to finish.
Update: This album gets better with every listen... I didn't think that was possible!
Favorite track: I Heard God!.
Includes unlimited streaming of Youth Detention///(Nail My Feet Down To The Southside Of Town)
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Includes unlimited streaming of Youth Detention///(Nail My Feet Down To The Southside Of Town)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
A double LP spanning 17 songs, it is the band’s most ambitious work to date -- a sprawling and visceral record given to both deep introspection and high-volume spiritual uplift.
Where The Glory Fires’ previous LP Dereconstructed (2014) sought to dismantle one-dimensional cultural notions of Southerness, Youth Detention has a similar, but more personal intent. “It’s about dismantling myself and the narratives that I’ve taken on,” explains Bains. “It’s an examination of youth and the processes through which we begin to consider ourselves, our identities, and what various communities we belong to or are in tension with.” Often, the songs detail moments in which cultural boundaries and biases become apparent -- scenes in which systems of privilege and oppression become visible, particularly as they relate to race, class, and gender. Everyday settings -- a church, a ballpark, a cafeteria -- are revisited again and again, to explore these fleeting moments of revelation from different perspectives and roles. It's a record defined by accumulation. Stories, images, and thoughts pile up to create confusion and cacophony in the narrative.
Recorded in Nashville, Tennessee at Battletapes with engineer Jeremy Ferguson and producer Tim Kerr, Youth Detention captures the band in raw form. Each song was cut live to tape, with the four performing in the same room without headphones or baffling. The result is thoroughly human, Lynn Bridges' mix retaining the band's live energy and looseness at the expense of a few out of tune strings. The Glory Fires’ music draws deeply from punk, but also soul, power pop, country, and gospel. It’s equal parts careful curation and geographic inheritance. “It’s the sound of my place,” says Bains. “I want to know it. I want to argue with it. I don’t want to be a band from anywhere that could be doing anything. For me, that’s what punk is about -- figuring out who I am and how to be the best version of myself. I can’t do that by pretending to be something I’m not.”
The songs are deeply rooted in Bains’ experience of his hometown, Birmingham, AL. Youth Detention depicts a Southern city in the decades surrounding the turn-of-the-millennium: in the throes of white flight, urban disinvestment, racial tension, class struggle, gentrification, gender policing, homophobia, xenophobia, religious fervor, deindustrialization, and economic upheaval.
The lyrics could ring true anywhere, though. The South exists in the world and, like the South, the world is increasingly beholden to many of these same tensions and forces. The songs on Youth Detention are meant as small acts of resistance to those systems. Documenting minor moments -- the refusal to sit quietly through a display of bigotry, the act of quieting down and listening to somebody's struggle, sticking up for friends targeted for their difference -- that, hopefully, serve as the beginnings of a more profound awakening.
The L.A. DIY mainstay offers a homespun collection of melodic tunes with occasional forays into noisier territory. Bandcamp Album of the Day Aug 18, 2021
On her latest EP, Baltimore's Mariah Fortune adds electronic beats and synth layers to her rhythmic dark folk meditations. Bandcamp New & Notable Mar 21, 2018
supported by 21 fans who also own “Youth Detention///(Nail My Feet Down To The Southside Of Town)”
Maybe the best thing David ever did, which makes me extremely sad. A Jews record in all but name, but more direct in its lyricism without losing that indescribable feeling, that beauty and sorrow and lighthearted sarcasm all rolled into one profound set of lyrics that are David Berman. Not to mention the band playing on the record is probably the best Berman ever recorded with. Rest in Peace DCB. jack_thorn16